The burin engraving technique is little known and not very widespread. It had a glorious past in the Hellenistic period and then it has been handed down over two thousand years of history, encountering happy moments and moments of oblivion. It certainly had a dissemination purpose of the images of works of art when photography did not exist and the engraved plates were inked and printed accompanying the books, after the invention of printing. In the Renaissance workshop it was used together with wax modeling, chisel, niello, to create jewels, weapons, and in the art of the table, and in medals. Today this tradition is being lost, because with the advent of the mechanization of work, in favor of a massive production of low-cost objects, the workers are on the verge of extinction. The technique itself has lost its meaning, and it is preferred to use it in the field of jewelry, to embellish surfaces with Renaissance decorative features and fine satin finishes, rather than adding meaning to the act itself, giving meanings. Thus in art graphics, a return to the burin would be desirable, because as a slow and complex technique, it would add value to the art print.

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